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” C414 XLS MATCHED PAIRMATCHED PAIR STEREO SET PERFECT TWINS for stereo recording of any acoustic instruments in studio and on stage The C414 XLS reference multipattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades. Legendary The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades. Used on Thousands of Hit Records The legendary C 414 is a tool found in most recording studios and has been used on thousands of hit records; it’s been on stage with artists of every musical genre and is also used by leading broadcast facilities the world over. The C 414 family has been one of the world’s most widely-used and respected studio and stage microphones in audio history. New useful features and even greater ease of use are the answer to the demands from our ever–growing customer base all over the world. NINE PICKUP PATTERNS View larger NINE PICKUP PATTERNS Nine pickup patterns provide the perfect sound for every application – without any compromise. Signal-bleeding from other sources can be minimized quick and easily. Moreover, for on-stage applications gain-before-feedback can be maximized. PEAK HOLD LED View larger PEAK HOLD LED The polar pattern indicator LEDs also provide an overload indication. With conventional peak indicators, overload peaks lasting only for a fraction of a second may easily escape your attention. The new peak hold function makes sure you will notice even the shortest overload peak: If the output level of the microphone exceeds the overload limit, the currently active polar pattern LED will change to red for about 3 seconds. Preattunation Pad & Bass Cut Filter View larger TECHNICAL SPECIFICATION • Audio Frequency bandwidth 20 to 20000 Hz• Sensitivity 23 mV/Pa• Equivalent Noise Level 6 dB-A• Signal to Noise 88 dB-A• Preattunation Pad -6; -12; -18 dB• Bass Cut Filter 160; 80; 40 Hz• Electrical Impedance 200 Ohms• Recommended Load Impedance 2200 Ohms Features Chart View larger C 414 XLS • maintains the sonic character of the legendary C 414 B-ULS – the longest-lived C 414 model• engineered for highest linearity and neutral sound• well-known as the most universal and versatile large diaphragm microphone ever• proven reference quality widely used for accurate, beautifully detailed pickup of any acoustic instrument• delivers the well-known C 414 Sound – for any application LOCK MODE View larger LOCK MODE Live-sound engineers as well as engineers for theater, opera, or musical productions often use the same microphones for the same purposes every night, and may even install some microphones permanently. In Lock Mode, all controls on the microphone are disabled so the settings you selected for a specific application (polar pattern, preattenuation pad, bass cut filter) cannot be changed unintentionally. COMPLETE SOLUTIONS View larger The C414 XLS Matched Pair Stereo Set Package includes: • 2 x C414 XLS• 2 x Elastic spider suspensions• 2 x Windscreen• 1 x Stereo mounting bar• Aluminum carrying case• Measurement documents ”
2 x C414 XLS
2 x Elastic spider suspensions
2 x Windscreen
1 x Stereo mounting bar
Aluminum carrying case
Ram Customer –
It was a struggle to determine just how much to spend on a mic for our start-up podcast. Everyone says start small, you can always upgrade. Well, my friends, I don’t want to always be upgrading. You spend more, in the long run, that way. There are other places to save money, but your voice IS the podcast.
I read reviews for weeks, you know what I found out, people that write these reviews get a commission if you buy the mic from there link. Which made my skeptical mind think, just how unbiased are they?
Max –
I own many mics and they all have their own characteristics. The standout characteristic of this microphone is it’s very low self-noise. At 50dB gain, in my “quiet” room, on a very quiet Liquid Channel preamp, I register ~ -110dBFS across the spectrum. This is sensational for my recordings of quiet sound effects and acoustic guitar.
Particularly with an acoustic guitar, paired with a small diaphragm condenser mic, the sound is just beautiful. Quiet picking or a strum sustaining never gets caught up in the noise floor. I can crank the track all the way up in post and never hear more than room noise.
RACINMI –
These are the standard for a reason. These sound amazing very transparent. Great for overheads and everything else.