Description
BEHRINGER GRAPHIC EQUALIZER EQ700
Ultimate 7-Band Graphic Equalizer
- Shape your sound and eliminate feedback with 7 bands of equalization
- This BEHRINGER product has been designed to compete head to head with leading products on the market
- Wide frequency range from 100 Hz to 6.4 kHz with a powerful 15 dB boost/cut per band
- Blue status LED for effect on/off and battery check
- Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
- First-class electronic On/Off switch for highest signal integrity in bypass mode
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
Finding it hard to get the perfect sound from your guitar? Maybe your guitar gets lost in the mix? Do you have major feedback issues with your acoustic? The problem’s not your guitar – you need an equalizer! The GRAPHIC EQUALIZER EQ700 provides total control over your tone and puts the brakes on annoying feedback, no matter what the performance situation. You can instantly improve the sound of your guitar with a little help from the BEHRINGER EQ700.
Master of Tone
With 15 dB of available boost or cut per band (that’s a lot!), the EQ700’s seven frequency bands have been carefully optimized to provide the ultimate tools for EQing the guitar. Of course, to make full use of the EQ700’s capabilities, it helps to first understand some basics about the frequency range of your axe.
The EQ700 covers the audio spectrum from below 100 Hz to over 6.4 kHz, allowing you to effectively cut or boost specific frequencies to help focus your sound. Special attention has been paid to the critical midrange frequencies, which can make or break your tone. The following section offers tips that will have you sculpting the perfect guitar sound in no time at all.
Understanding EQ
Most performers don’t have a clue about what good equalization can do for their sound. Maybe you’ve heard the old maxim, “Make a sine-wave to get really good sound,” or “Make a smiley-face, that always works.” Sadly, this qualifies as advice from the uninformed. Just as every room is unique, so is every musical instrument. Even guitars made by the same manufacturer, using the same materials, on the same day can vary a great deal.
People provide a good example of this principal – although we are all similar, we don’t all wear the same size shoes, or even have the same color eyes. There is no one “perfect” equalization curve that fits every scenario; equalization is dynamic.
Applying EQ to the Guitar
Most acoustic and electric guitar energy lies between 100 Hz and 6.4 kHz. Even slight changes in this range can cause a tremendous variation in overall energy and impact, as the human ear is especially sensitive to this range.
Boosting frequencies around 200 Hz – 400 Hz often provides warmth and body, while boosting frequencies in the 3.2 kHz – 6.4 kHz range adds clarity to clean guitar signals. Depending on the amount of distortion, this same range can ruin the sound of an overdriven electric guitar by adding harsh harmonics.
One of the most common mistakes is adding too much bass to acoustic guitars. If the low frequencies are boosted excessively, acoustics can easily get lost in the overall mix. Most acoustic guitars are also prone to feedback in the 200 Hz – 400 Hz range.
A general rule of thumb – the best results are often achieved by finding and reducing the frequency bands that are offending, and then turning up the overall volume, rather than boosting one specific band.
How the specific frequency bands of the EQ700 can shape your sound
- 100 Hz (low bass) Boost: To add fullness to guitars, especially clean electrics Cut: To reduce muddy or boomy tone and control acoustic guitar feedback
- 200 Hz (soft bass) Boost: To increase the warmth of all guitars and provide a slightly harder sound Cut: To increase clarity and reduce feedback in acoustic guitars
- 400 Hz (hard bass) Boost: To add definition to rhythm parts Cut: To reduce feedback in acoustic guitars (This is a major feedback zone for piezo-equipped flattops)
- 800 Hz Boost: To add an aggressive edge to the overall sound Cut: For reducing the nasal or horn-like content, often referred to as the “cheap guitar” syndrome
- 1.6 kHz Boost: To make the guitar cut through the mix. Creates a more distinctive plucked tone Cut: To eliminate dullness and competition with vocals (vocal fundamentals occupy the range from about 1.0 kHz – 2.5 kHz)
- 3.2 kHz Boost: To add significant attack to all guitars. Creates an even more distinctive plucked tone Cut: To eliminate harshness
- 6.4 kHz Boost: To add edge and increase brightness to all guitars Cut: To soften thin-sounding guitars and remove string squeak
Shape your sound and eliminate feedback with 7 bands of equalization
Wide frequency range from 100 Hz to 6.4 kHz with a powerful 15dB boost/cut per band
Status LED for effect on/off and battery check
First-class electronic On/Off switch for noise-free operation
Guitar/Keyboard
ManOfWar –
Seems like it choked out any distortion or overdrive I kicked in. Might try it again at a later date.
terri –
combine this cheap BUT GOOD eq with any pedal and there are endless sounds. From green day to Soundgarden. Yeah there is a lot of noise but that’s add nostalgia for me like back in high school. It gave my amp the brightness I was tone searching for. super happy with this purchase.
Jeff Hagen –
I have a MXR eq that’s three times the price of this pedal and this pedal adds considerable more options to my tone and I especially appreciate the volume level on it. If you don’t have the money for the Boss I’d recommend this pedal especially if you’re a bedroom pro like me.😂
ARGO-U –
OK so the Behringer EQ700 I was afraid due to the low price that it would be junk, however pleasently suprised, the eq works good, the sound is great, the boost is nice great way to sculpt your sound. others are at more than double the price often triple. So the down side, I don’t like the power plug on the side design, it stops you from using plug to plug jack and keeoing the pedals close together on your pedal board. Also the material the pedal is made of a bit softer plastic, I do like metal pedals heavier but durable. For the price this pedal is awesome, I think the power placement should be fixed by behringer, the plastic maybe look for stronger plastic or switch back to metal casing. But I’ll be keeing this pedal on my board.
Josh Boulanger –
The price point is untouchable! The only thing is the plastic casing. But if you’re not throwing it around, it should be just fine. Also, the price point. If it breaks, buy you another!